remember
to look out the window
not at your reflection or the neon pulsating signs
but at the blur learning how to let go
take your medication
even on days you feel brave
sleep when the carriage dims
even if your heart resists rest
discard what no longer fits
the old leather jacket that smells like old rooms
receipts expired names
the habit of waiting for permission
remember your mother’s voice
pack the scent of home carefully
soap from the old cupboard
sun caught in cotton
the faint trace of cardamom clinging to mornings
keep your phone charged
but do not answer everything
some silences are instructions
when the city thins
into poles fields unnamed stops
place your palm on the glass
feel how motion rewrites the self
you will pass brilliance
cities flashing their confidence
fields pretending to be endless
do not confuse either
for permanence
you will change slowly without noticing
like language when it leaves the mouth
as the train leaves
you will first feel lighter
then unbearably hollow
i hope you understand
there will be no gentle return
no accidental crawl back into this life
there is no platform
where i will be standing later
no familiar turn to bring you back
only movement
and the soft violence of forward
and a place
that will stop remembering you
before you are ready
Sumayya Arshed is an undergraduate student of English Literature, writer, and editor based in Islamabad, Pakistan. Her work has appeared in The Marrow, Ultramarine Literary Review, Full House Literary, underscore_mag, The Bloomin’ Onion, Blood+Honey, Prosetrics, The Shore, Eunoia Review, and elsewhere. She is mildly devoted to procrastination, dislikes summers with a passion, and can often be found staring at the ceiling trying to ward off the occasional demon of writer’s block.
YOU MIGHT ALSO LIKE
FICTION
Solitudes by Raja’a Khalid

